So here we are dear friends, we’ve made it to Boxing Day #19 (which has formally morphed into a state-of-mind, not a day, based on the scrubbed send-date data). And whether you’ve been a ride or die since “high fives in ‘05” or landed here after googling “champagne chalet” and mistakenly slipped into this vortex of formulaic fortune cookie wisdom and wordplay, I’m happy you’re here. For real. Considering we’re firmly in that lawless, cheese-fueled state of nothingness between Christmas and New Year where time exists only in mimosa units, I’d recommend you pour yourself a flute of time and stay. Slow down and savor, even. Become the couch.
Slow is not something I’m great at. Those who know me well or have had the pleasure of traveling with my “arrive at the airport with just enough time to walk on the flight”-archetype will appreciate the understatement. Japan’s Shinkansen bullet train reaches speeds of 198mph. It earns every accolade thrust upon it and is truly an exhilarating way to travel. Shortly after leaving Tokyo Station, you start whizzing past the bucolic Japanese countryside and before you know it, almost impossibly soon, you’re at your destination. What you missed in between? No time to know – you’re onto the next city, whizz. Next adventure, whizz. Next challenge, whizz. I lead a Shinkansen life – complete with a team of people managing my schedule and optimizing my routes to support it. Exhilarating and accolade-filled? Sure. Also, almost impossibly soon, Owen is 10. Whizz! We are conditioned to do more and get more and have more and be more. To hustle. To grind. Grit and tenacity were tattooed on my brain in middle school as the definitive markers of strong character and success. And at a time in my life when demand for my attention comes at an all-time premium, slow feels like a luxury I can’t afford. The timer never stops running, right? All you will regret is not reaching harder for the things you actually wanted while they were still in front of you, right? But what passes by as I’m hurling toward my next stop at 198mph?
I know I will miss these caricatured versions of the growing faces in front of me. I’ll miss the lasts as much as the firsts: the last bedtime story, the last bubble bath, the last mispronunciation (RIP leggybugs, marshpillows, hanitizer, and “hold you”). “Mommy” certainly is not long for this home’s nomenclature. They too are hurling at Shinkansen-speed toward their destinations, with stops at each next stage of their own becomings, leaving outlines of their smaller versions behind at each station. I was reminded by a friend during a particularly hard week that in 20 years, I’d give anything to be this age again, exactly this healthy, and airdrop into my life just as it is today. To savor the senses – the sights, smells, sounds, touches – that will all fade with time no matter how tightly I grasp. A core sentiment of Japanese culture is mono no aware. Literally “the pathos of things,” it describes the bittersweet appreciation that everything is temporary as it’s the ephemera itself that makes life so infinitely precious. (Irony not lost that the pioneers of the world’s fastest train also pinpointed the poignant emotion of transience, the beautiful sadness in the passing of lives and objects.) Whether experienced on a figurative park bench or whizzing by at 198mph, seasons in life are not to be mourned, but cherished in their impermanence. My friend reminded me this too shall pass, whether I want it to or not, then urged me to “go do more main character shit before it’s too late.” And no one does main character shit like old women.
Culturally, crones get a bad rap. The dictionary’s first entry greets you with pleasantries like “an ugly, evil-looking old woman,” “a sinister, cantankerous witch” or my personal fave and winner of most relatable: “the withered hag.” This is no surprise considering its etymology – crone comes from the early 13c. Anglo-French carione, meaning "dead, putrefying animal corpse.” [i.e. once aged out of fertility and child-rearing, women become gross, useless carcasses. Cool, cool. Long live the patriarchy!] But the second entry starts feeling (less cynically) familiar to my lived experience: “an archetypal figure, a Wise Woman.” “An old woman of great power and strength whose life wisdom comes from both her age and the many things she’s lived through.” There we go – the crone is the matriarch. The babushka. The granny Orca. Moana’s tūtū Tala. The mythologically revered and formidable bearer of ancient wisdom and supernatural vision, ruler not only of regeneration but of the underworld because she has no fear of death – which means, of course, she fears nothing. Native American mythology, including my own Potowatomi tribe, is filled with tales of an ancestor called Spider Grandmother, who weaves the web of creation from which all other living things emerge. She symbolizes the interconnectedness between all things, imperceptible strength and resourcefulness, and the power of mind-body-soul balance (fun fact: dreamcatchers are crafted in her honor). Numerous other myths around the world depict spinning and weaving goddesses like Lauma, a mythological Latvian doula who spins the cloth of life. Like old women, spiders can inspire awe and fear disproportionate to their size.